KiNO Lights Sting I A [v3 01] - 2 PROJ r709_S1.jpg

Cinematography for 3D Artists: Learn Cinematography with a capital ‘K’ from the legends of cinema.

JOIN COURSE

21

Lessons

~5.5

Hours

4

Recreated Film Scenes

140

3D Assets

Any

3D Package

Lifetime

Access

Don’t Learn Lighting

3D artists want to get good at lighting, so they go to learn lighting from tutorials telling them how to light to make their render look good.
(It usually involves a Key, Fill, and a f-tonne of Rim.) 

Nothing wrong with that. The render usually looks great! It usually also looks quite a lot like a render. 

That’s how you end up with “the CG look”.

But isn’t this a course about lighting?

Well… Yes but, more importantly, no. KiNO Vibes is a course about Light.

What it says in a scene. What it means. How it makes you feel, and how to wield it.

Not just using it to show your snazzy work, but to tell the story you want.

Learn
THIS INSTEAD

In this course, lighting is the last thing you’ll learn (though you will learn it), because that’s the easy part. Here’s what comes first:

  • How to see and think about a 3D scene like a Director of Photography does a film scene.

  • How to make choices about light and dark that tell the story how you want people to experience it. 

  • How to create depth within the frame and imply story and a world beyond the frame

  • How to wield light and colour to play the heartstrings of your viewer.

Lighting is the final step of that process. 

MEET THE

TEACHER

TEACHERS

Greetings, I’m Daniel.

I started learning 3D back in 2009, not because I love poking vertices around, but because I love film, and I wanted to make better movies with my friends. (And “better” obviously meant with more explosions and car crashes.)

Since then I’ve moved up a bit… 

I’ve collaborated with industry heavyweights like The Mill, Saatchi & Saatchi, and Leo Burnett, working with some very cool brands and artists along the way.

In 2016 I started spreading the love of Motion Design through my YouTube channel, by now having infecting over 1 million people, and launched my first course, The Process of Motion, in 2020.

But even with nearly two decades of experience…

I ain’t no Sir Deakins.

You know who is, though? Sir Roger Deakins. Read on…

Daniel Danielsson delivering a talk at London Motion Design Meetups
Daniel Danielsson Director and Artist

When you learn,
learn from the best 

KiNO Vibes is an odyssey through a hundred years of award-winning cinematography. We learn from legendary Directors of Photography by breaking down their most iconic work, seeing how they made it and understanding why they made it that way.

Wherever possible we hear straight from the cinematographers own words via interview, commentary, behind the scenes, and archival footage. 

Then we bridge the gap to the third dimension with four iconic scenes faithfully reconstructed in 3D. We take what we’ve learned and recreate the lighting from scratch ourselves.

Along the way we’ll learn how traditional cinematography applies to CGI, and where CGI lets us conjure light and dark from thin air in ways that would make any gaffer lick their lips.

WHAT’S IN THE BOX?

4

Theory Lessons

17

Breakdown Sessions

4

Recreated Film Scenes

13

Lighting Recreations

140

3D Assets

KiNO

Community

6+

Hours of Time-Lapses

Module 1

  • The why and the what before the how. Learn the necessary terms, mental models, and technical details to carry us through the rest of the course.

    LESSONS
    Introduction to Cinematography for 3D | 04:25
    The Philosophy of Cinematography | 05:58
    Cinematography Field Guide | 13:35
    The CG Realm & Cinematography | 10:58

Module 2

  • Learn the foundations of reading a scene, the purpose of certain light, and deriving on-set light sources from indicators in a frame.

    3D SCENE
    Arrival (2016) - Louise’s House [C4D] [FBX] [USD]

    SESSIONS
    Arrival (2016): Warm-Up | 30:32
    Kinds of Kindness (2024): Sunny High-Key Lighting | 20:02
    Animal Kingdom (2010): Sunny Low-Key Lighting | 05:43
    John Wick Chapter 4 (2023): Golden Hour Lighting | 07:25
    Fight Club (1999): Low-Key Night Lighting | 17:29
    Spectre (2015): High-Key Night Lighting | 16:26

    EXERCISE
    The 3-Step KiNO Vibes Process™

  • A look at the trends and influences in cinematography and light over the past century with Terminator 2 as our starting point. 

    3D SCENE
    Terminator 2: Judgment Day (1991) - Steelworks Showdown [C4D] [FBX] [USD]

    SESSIONS
    Terminator 2: Judgment Day (1991): Three-Point Lighting | 16:57
    Casablanca (1942): Hollywood Glamour Lighting | 15:34
    A Fistful of Dollars (1964): Western Style Lighting | 16:29
    Oppenheimer (2023): Modern Lighting | 15:02

    EXERCISE
    Iconicity: What makes an era, genre, or cinematographer iconic?

  • Colour theory, emotion, psychology, and manipulating space.

    3D SCENE
    Joker (2019) - Fridge Scene [C4D] [FBX] [USD]

    SESSIONS
    Joker (2019): Colour Contrast | 16:57
    Suspiria (1977): Colours of Horror | 20:56
    Tenet (2020): Colour as Story Element | 15:25
    Last Night in Soho (2021): Manipulating Emotion & Physical Space | 18:20

    EXERCISE
    Cromacity: Shifting the emotional essence of a scene using colour.

  • Lighting large scale is tricky. Especially indoors, because key what, bounce where, rim how? This chapter shows how to do it right.

    3D SCENE
    Dune: Part Two (2024) - Lisan al-Gaib Speech [C4D] [FBX] [USD]

    SESSIONS
    Dune: Part Two (2024): Scale and Intimacy | 22:17
    Klaus (2019): Embracing Fakery in CG | 19:27
    Fellowship of the Ring (2001): Lighting with Darkness | 12:53

    EXERCISE
    Sovereignty: Lighting according to your own vision.

BONUS CONTENT

  • Nothing fancy, just a group chat hosted on my Patreon for you to post your coursework, swap Kino inspo, and maybe get an extra pairs of eyes on your light.

  • Turns out, when faithfully recreating film scenes you end up with quite a lot of props at the end of it. 

    Some are painstakingly handmade by yours truly (like the GE 1953 Combo Fridge Freezer in Arthur Fleck’s apartment that I spent far too long on), others are kit-bashed together and adapted from public domain assets. 

    All of them are fine for you to use in personal and commercial projects.

    • Arrival: 64 Photoreal 3D Models [C4D] [FBX] [USD]

    • Terminator 2: 25 Photoreal 3D Models [C4D] [FBX] [USD]

    • Joker: 46 Photoreal 3D Models [C4D] [FBX] [USD]

    • Dune Part 2: 5 Photoreal 3D Models [C4D] [FBX] [USD]

    That’s altogether 140 production-ready 3D Assets (the kind you’d pay £5-£100 for individually) included for you in the full course.

  • The full making-of behind-the-scenes time-lapses of the film scene recreations. Every button pressed, played back at 25x speed.

    Terminator 2: Judgment Day (1991): Steelworks Showdown | 03:01:51
    ‍Joker (2019): Fridge Scene | 02:13:59
    Dune: Part Two (2024): Lisan al-Gaib Speech | 01:25:42 ‍

    (Notably the Arrival (2016) scene is missing as the screen-recording was eaten by the gremlins that live in my computer.)

ONE LAST THING…

KiNO Vibes is in early access. This is a growing course. Everything listed is what ships first, but that’s not where it stops.

Next up: Four more full scene recreations, twelve more lighting breakdowns, and the assets and time-lapses to go with all of it.

But I won’t pretend I can guarantee a timeline for any of it. (You can thank my newborn twins for that one; a very adorbs handful.)

Entry
REQUIRE-MENTS

  • MADE IN C4D & REDSHIFT, BUILT FOR ANY 3D PACKAGE.

    Thanks to Physically Based Rendering, all render engines are pretty similar under the bonnet, and the objects, parameters, and values are pretty standard too. The only difference is where you find them. 

    If your 3D setup has: 

    • A viewport

    • An object list of sorts

    • An attributes / parameters window

    • A realtime renderview

    You’ll feel right at home.

    For the 3D scenes & assets the native format is C4D with rendering in Redshift, but all are available in FBX and USD format for use in other 3D packages.

  • This course assumes you have the technical skill to create your own scenes in your chosen 3D package. (But, really, if you didn’t already have scenes to light, you probably wouldn’t be here.)

    This course does not spend time talking about modelling, texturing, or animation. All time is dedicated to light and cinematography, though we do look at how light is affected by things like topology and shading.

    This course does not teach a specific 3D package or render engine. They change with every update, the lessons in this course do not. 

  • You don’t need to have Tarkovsky’s filmography committed to memory, but you need a little love for film.

    You should have at least once been awestruck by the beauty of a shot, maybe paused to linger on it for longer and ponder how it was made. And if you’re reading this, I’m willing to bet you have.

JOIN
NOW
DECIDE
LATER

Decisions can be difficult. Like alway, this course comes with a 2 week love-it-or-leave-it guarantee.

Just choose your version of the course below and boom! Instant lifetime access.

Change your mind or don't like it?
Let me know within 14 days and un-boom! Full refund. Like it never happened.

No questions asked. 🤫

STOCK

A stripped-back version of the course. If extra 3D scenes and assets don’t appeal to you, this one’s for you.

🎉 LAUNCH WEEK: Save 30%

Ends Tuesday Oct 13 at 23:59 UK Time.

£250.00
One time
£49.00
For 6 months

What’s included:

  • MODULE 1: THEORY

    • Introduction to Cinematography for 3D  |  04:25 

    • The Philosophy of Cinematography  |  05:58 

    • Cinematography Field Guide  |  13:35 

    • The CG Realm & Cinematography  |  10:58 

    MODULE 2: BREAKDOWNS

    CHAPTER 1: ARRIVAL

    • Arrival (2016): Warm-Up  |  30:32 

    • Kinds of Kindness (2024): Sunny High-Key Lighting  |  20:02 

    • Animal Kingdom (2010): Sunny Low-Key Lighting  |  05:43 

    • John Wick: Chapter 4 (2023): Golden Hour Lighting  |  07:25 

    • Fight Club (1999): Low-Key Night Lighting  |  17:29 

    • Spectre (2015): High-Key Night Lighting  |  16:26

    EXERCISE: The 3-Step KiNO Vibes Process™ 

    CHAPTER 2: TERMINATOR 2: JUDGMENT DAY

    • Terminator 2: Judgment Day (1991): Three-Point Lighting  |  16:57

    • Casablanca (1942): Hollywood Glamour Lighting  |  15:34

    • A Fistful of Dollars (1964): Western Style Lighting  |  16:29

    • Oppenheimer (2023): Modern Lighting  |  15:02

    EXERCISE: Iconicity

    CHAPTER 3: JOKER

    • Joker (2019): Colour Contrast  |  16:57

    • Suspiria (1977): Colours of Horror  |  20:56

    • Tenet (2020): Colour as Story Element  |  15:25

    • Last Night in Soho (2021): Manipulating Emotion & Physical Space  |  18:20

    EXERCISE: Cromacity

    CHAPTER 4: DUNE: PART TWO

    • Dune: Part Two (2024): Scale and Intimacy  |  22:17 

    • Klaus (2019): Embracing Fakery in CG  |  19:27 

    • Fellowship of the Ring (2001): Lighting with Darkness  |  12:53

    EXERCISE: Sovereignty

    + ANY FUTURE LESSONS & BREAKDOWNS

  • I can’t just leave you empty-handed, you have to let me give you at least one file.
    Otherwise, what would you use for the exercises?

    • Arrival (2016) - Louise’s House [C4D] [FBX] [USD]

  • Post your coursework, swap Kino inspo, and exchange feedback on each other’s wielding of light.

  • This is not a subscription. You pay once (or six smaller times) and the course is yours forever.

    Don’t believe me? Ask the members of my course, Process of Motion, how I borderline cyber-stalked some of those with dead emails to get in touch when I was moving hosting, just so they could retain their lifetime access.

MASTER

Everything in stock, plus 3D scene files for all four iconic recreated scenes, all 140 production-ready 3D assets (the kind you’d pay £5-£100 for individually), and the full 6+ hours of time-lapses.

🎉 LAUNCH WEEK: Save 30%

Ends Tuesday Oct 13 at 23:59 UK Time.

£375.00
One time
£75.00
For 6 months

What’s included:

  • MODULE 1: THEORY

    • Introduction to Cinematography for 3D  |  04:25 

    • The Philosophy of Cinematography  |  05:58 

    • Cinematography Field Guide  |  13:35 

    • The CG Realm & Cinematography  |  10:58 

    MODULE 2: BREAKDOWNS

    CHAPTER 1: ARRIVAL

    • Arrival (2016): Warm-Up  |  30:32 

    • Kinds of Kindness (2024): Sunny High-Key Lighting  |  20:02 

    • Animal Kingdom (2010): Sunny Low-Key Lighting  |  05:43 

    • John Wick: Chapter 4 (2023): Golden Hour Lighting  |  07:25 

    • Fight Club (1999): Low-Key Night Lighting  |  17:29 

    • Spectre (2015): High-Key Night Lighting  |  16:26

    EXERCISE: The 3-Step KiNO Vibes Process™ 

    CHAPTER 2: TERMINATOR 2: JUDGMENT DAY

    • Terminator 2: Judgment Day (1991): Three-Point Lighting  |  16:57

    • Casablanca (1942): Hollywood Glamour Lighting  |  15:34

    • A Fistful of Dollars (1964): Western Style Lighting  |  16:29

    • Oppenheimer (2023): Modern Lighting  |  15:02

    EXERCISE: Iconicity

    CHAPTER 3: JOKER

    • Joker (2019): Colour Contrast  |  16:57

    • Suspiria (1977): Colours of Horror  |  20:56

    • Tenet (2020): Colour as Story Element  |  15:25

    • Last Night in Soho (2021): Manipulating Emotion & Physical Space  |  18:20

    EXERCISE: Cromacity

    CHAPTER 4: DUNE: PART TWO

    • Dune: Part Two (2024): Scale and Intimacy  |  22:17 

    • Klaus (2019): Embracing Fakery in CG  |  19:27 

    • Fellowship of the Ring (2001): Lighting with Darkness  |  12:53

    EXERCISE: Sovereignty

    + ANY FUTURE LESSONS & BREAKDOWNS

    • Arrival (2016) - Louise’s House [C4D] [FBX] [USD]

    • Terminator 2: Judgment Day (1991) - Steelworks Showdown [C4D] [FBX] [USD]

    • Joker (2019) - Fridge Scene [C4D] [FBX] [USD]

    • Dune: Part Two (2024) - Paul’s Speech [C4D] [FBX] [USD]

    + ANY FUTURE SCENE FILES

  • Post your coursework, swap Kino inspo, and exchange feedback on each other’s wielding of light.

  • A library of 140 high-quality 3D Models, plus Textures for you to use in your personal and commercial projects.

    • Arrival: 64 Photoreal 3D Models [C4D] [FBX] [USD]

    • Terminator 2: 25 Photoreal 3D Models [C4D] [FBX] [USD]

    • Joker: 46 Photoreal 3D Models [C4D] [FBX] [USD]

    • Dune Part 2: 5 Photoreal 3D Models [C4D] [FBX] [USD]

    + ANY FUTURE ASSETS

    • Terminator 2: Judgment Day (1991): Steelworks Showdown | 03:01:51

    • ‍Joker (2019): Fridge Scene | 02:13:59

    • Dune: Part Two (2024): Lisan al-Gaib Speech | 01:25:42 ‍

    + ANY FUTURE TIME-LAPSES

  • This is not a subscription. You pay once (or six smaller times) and the course is yours forever.

    Don’t believe me? Ask the members of my course, Process of Motion, how I borderline cyber-stalked some of those with dead emails to get in touch when I was moving hosting, just so they could retain their lifetime access.

FAQs

Have a question that’s not on here? Send me an email at d@danieldanielsson.com and I'll get back to you asap.

  • Ready when you are. This is an on-demand course. As soon as you enrol you’ll get access to all the lessons.

  • Most people take 2-4 weeks, but you can set your own pace. I’ll try to keep up with your coursework submissions.

  • Until death do us part. You’ve got lifetime access. You can take as long as you like, come back as often as you want. Even after death, you’re welcome to come back as a ghost, if you like.

  • Sadly I can’t force you to do them. You joined the course voluntarily, you can put as much as you want into it. All I can do is strongly recommend it. 

    Your understanding of the lighting choices in a scene will grow immensely when you have walked through them yourself. It really is like looking through the eyes of the cinematographer themselves.

  • Good cinematography is not limited by software, and neither is KiNO Vibes.  

    The course is built to be software agnostic, meaning its lessons apply to all software, present and future.

    Whatever your weapon of choice, Cinema 4D, Blender, Maya, Houdini, 3DS Max, Lightwave, Bryce 3D, when it comes to lighting modern renderers all pack pretty much the same toolkit with the same abilities (ok, so maybe not Bryce 3D). 

    For the files, the native format is C4D with rendering in Redshift. FBX files are provided for all of them, with native files for some softwares. I’m hoping to get more made.

  • Do it have internet? Then yeah.

  • Pretty standard.

    Allowed:

    • Use in personal projects and for client work.

    • Modify or alter the 3D mesh and textures to fit your scene. 

    • Keep using the asset forever without recurring royalty costs.

    Not allowed:

    • Redistribution: You cannot resell, give away, sublicense, or upload the files to any marketplace or asset library, whether as they are or modified.

    • Physical products: You cannot turn the asset into a physical product, including 3D prints, merchandise, and props sold as products.

    • AI training: You cannot use the assets to train, fine-tune, or evaluate machine learning models.

    Some of the assets contain trademarks, brand names, logos, etc, that remain the property of their owners. They're included for realism and educational reference. You're responsible for checking that the branding is cleared, or for removing or replacing it, if you use them in your work.

    General terms:

    • Ownership: The assets remain the property of the creator. This is a licence to use them.

    • Attribution: No credit required, though it’d be mighty kind of you.

    • Who it covers: The licence applies to the course purchaser only.

    • No warranty: As they say, the assets are provided "as is", without warranty of any kind. I am not liable for any loss or damage arising from their use. (Such as hypothetical crashing of your software when you load up a Dune scene with some hundred thousand animated characters in.)

  • Yes, you can ask for a refund for literally any reason. It does not have to be a good reason.

  • If you are an AI purist, I respect that.

    Here’s the full extent of AI involvement in the making of this course:

    • I used AI to write a program for searching through transcripts.

    • I used AI to write a python script for batch renaming objects in Cinema 4D.

    • I used AI to create a python script for batch converting and re-sizing images.

    • I used AI to generate transcripts of the lessons.

    • I used AI to fact check my clip credits.

    All of the above was done using local open-source models in the interest of saving time on tedious tasks. No AI company has received a penny of payment for it, and AI has not been involved in making any of the content for the course, with one exception:

    I generated images of the Joker and Batman with Chat GPT that I photoshopped together into a polaroid with the text “BFFs” on to put on the fridge in the Joker scene, because I thought it was funny.
    However, I immediately felt too embarrassed to keep that in, and eventually replaced it with a shitty one minute stick-figure sketch I did myself on a post-it, which is honestly much funnier.

  • Glad you asked. Strap in. You will receive the following photoreal 3D models in Cinema 4D format (with Redshift materials), FBX format, and USD format. They are:

    ARRIVAL - 64 Assets

    Ainu Spoon 1:
    7cm×36cm×9cm - 12k polys

    Ainu Spoon 2:
    6cm×34cm×10cm - 12k polys

    Ainu Spoon 3:
    6cm×29cm×11cm - 12k polys

    Anthropomorphic Vessel:
    22cm×24cm×22cm - 60k polys

    Arsenic Bottle:
    10cm×24cm×10cm - 650 polys

    Big Beige Rug:
    445cm×5cm×279cm - 30k polys

    Brass Wall Switch:
    12cm×12cm×2cm - 290 polys

    Carved Wooden Plate:
    16cm×2cm×16cm - 1k polys

    Coalcroft Floor Lamp:
    45cm×138cm×19cm - 13.2k polys

    Daubigny Painting:
    1.7cm×100cm×150cm - 65 polys

    Dome Pendant Light:
    68cm×33cm×66cm - 5.4k polys

    Eames Chair & Ottoman:
    181cm×88cm×84cm - 120k polys

    Encyclopedia Set:
    63cm×24cm×16cm - 33.6k polys

    2 Family Photos:
    43cm×18cm×19cm - 4.1k polys

    4 Ferns:
    122cm×42cm×147cm - 3.1k polys

    Fir Tree Tall:
    832cm×2323cm×751cm - 1321k polys

    Firewood:
    45cm×56cm×49cm - 92k/6k polys

    Firewood Holder:
    51cm×120cm×39cm - 3.7k polys

    Flexform Sofa:
    228cm×80cm×105cm - 565k polys

    Glass TV Table:
    100cm×52cm×50cm - 2k polys

    11 Grass Tufts:
    424cm×34cm×33cm - 12.5k polys

    Hutsul Plate:
    22cm×2cm×22cm - 23k polys

    iPhone:
    6cm×12cm×1cm - 36k polys

    Maid of Ashton Plan:
    233cm×8cm×77cm - 627 polys

    Mid-cent. Side Table:
    63cm×53cm×52cm - 13k polys

    Modern Glass Table:
    200cm×75cm×100cm - 3748 polys

    Persian Rug:
    243cm×3cm×165cm - 15k polys

    Pouncet Box:
    16cm×8cm×16cm - 121k / 13k polys

    Rattan Chair:
    48cm×88cm×61cm - 24k polys

    Rusted Spade:
    17cm×5cm×111cm - 5.7k polys

    4 Shrubs:
    42cm×28cm×39cm - 13.7k polys

    Small Tree:
    292cm×456cm×429cm - 1150k polys

    Sony Flatscreen TV:
    98cm×73cm×23cm - 42.7k polys

    Sony TC-510-2 Recorder:
    43cm×20cm×47cm - 297k polys

    Spendor Floorstanding Speaker:
    22cm×79cm×25cm - 3.9k polys

    Table Lamp:
    16cm×41cm×19cm - 37k polys

    Throw Pillows:
    56cm×45cm×34cm - 6.4k polys

    VHS Player:
    50cm×36cm×11cm - 5.7k polys

    Vintage Matchbox:
    7cm×5cm×2cm - 1.6k polys

    Vintage Suitcase:
    56cm×19cm×45cm - 4.1k polys

    Vinyl Record:
    35cm×0.15cm×35cm - 1.7k polys

    Vinyl Record Player:
    36cm×18cm×56cm - 59k polys

    Wall hanger:
    4cm×4cm×40cm - 2.5k polys

    Walnut Sideboard Unit:
    53cm×82cm×204cm - 1.5k polys

    Wicker Basket:
    38cm×12cm×30cm - 11k polys

    Wicker Coffee Table:
    80cm×41cm×80cm - 6.8k polys

    TERMINATOR 2 - 25 Assets

    1944 Willy’s Jeep:
    160cm×180cm×375cm - 2.1m polys

    Aviator Glasses:
    18cm×6cm×16cm - 32.4k polys

    WWII Canteen:
    11cm×15cm×8cm - 1.6k polys

    Cryoco Trailer:
    227cm×308cm×1230cm - 222k polys

    Cryoco Trailer Broken:
    310cm×310cm×1285cm - 222k polys

    Hammerhead Pier:
    320cm×301cm×123cm - 184k polys

    Highwayman Leather Motorcycle Jacket
    90cm×97cm×43cm - 198k polys

    I-Beam:
    38cm×300cm×40cm - 17.7k polys

    3 Industrial Barrels:
    49cm×88cm×49cm - 3.5k polys

    4 Industrial Lamps:
    15cm×22cm×7cm - 12.2k polys

    Industrial Railing:
    221cm×64cm×10cm - 2.2k polys

    Industrial Stairs:
    122cm×320cm×388cm - 6.2k polys

    KalmarRT022 Telehandler:
    198cm×216cm×406cm - 50k polys

    Peterbilt 359 Truck:
    278cm×350cm×783cm - 359k polys

    Police Helmet:
    23cm×23cm×28cm - 47.6k polys

    Steelworks Ladle:
    420cm×799cm×540cm - 328k polys

    Steelworks Smelter:
    1055cm×891cm×891cm - 552k polys

    T-800 Terminator Skull
    13cm×20cm×19cm - 200k polys

    WWII Helmet:
    24cm×18cm×29cm - 2.6k polys

    JOKER - 46 Assets

    5 Canned Foods:
    9cm×13cm×9cm - 119k polys

    3 Cast Iron Skillets:
    32cm×45cm×7cm - 82.3k polys

    Chia Mr T:
    21cm×19cm×13cm - 65k polys

    Coffee Machine:
    28cm×36cm×25cm - 29k polys

    Electric Stove:
    50cm×56cm×65cm - 8.8k polys

    Enamel Pot:
    26cm×18cm×18cm - 5.8k polys

    French's Mustard:
    8cm×18cm×4cm - 11.8k polys

    GE 1953 Combo Frige Freezer:
    78cm×165cm×64cm - 353k polys

    Historic Frying Pan:
    23cm×7cm×23cm - 31.8k polys

    Hitachi TRQ-295R Recorder:
    22cm×13cm×50cm - 110k polys

    Instant Noodles:
    11cm×13cm×11cm - 3k polys

    2 Kitchen Cabinets Sets 1950s:
    707cm×245cm×82cm - 92.3k polys

    Larder Pantry:
    128cm×268cm×48cm - 14.9k polys

    2 Metal Trash Cans:
    78cm×56cm×91cm - 3.3k polys

    Monet Painting (Crop) - Palm Trees at Bordighera:
    23cm×19cm×3cm - 135k polys

    NYT Titanic Newspaper:
    21cm×2cm×15cm - 14.2k polys

    Pepsi Cola 2L:
    13cm×37cm×13cm - 8.6k polys

    Plastic Gallon Jug:
    17cm×27cm×13cm - 6.9k polys

    Pot:
    26cm×18cm×19cm - 21.7k polys

    Retro Radiator:
    109cm×49cm×16cm - 369k polys

    3 Russian Foods:
    10cm×8cm×10cm - 691 polys

    7 Stainless Steel Cookware Set:
    24cm×15cm×24cm - 160k polys

    Switch + Outlet (US):
    7cm×12cm×2cm - 370 polys

    Telephone Panasonic KX-T2365:
    39cm×58cm×15cm - 53.8k polys

    Tony Soprano's Macaroni:
    14cm×21cm×6cm - 50k polys

    3 Vintage NYC Postcards:
    16cm×9cm×5cm - 456 polys

    Wooden Stool:
    39cm×59cm×41cm - 8.3k polys

    DUNE PART 2 - 5 Assets

    Fremen Altar:
    2278cm×42cm×2279cm - 234k polys

    Fremen Altar Stone:
    64cm×57cm×35cm - 2k polys

    3 Pillows:
    42cm×11cm×42cm - 2.8k polys

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Process of Motion: Freelance Flawlessly